It's this 1 thing that's got me trippin (you did) She studied dance from an early age and performed in talent contests throughout her youth. She grew up on bases from Alaska to Germany, meanwhile gaining an appreciation of the classical arts from her mother and of R&B music from her father. Struggling with 1 Thing? Become a better singer in 30 days with these videos! Knock, knock, knock, oh Singer Amerie is the daughter of a Korean mother and an African-American father who was a career military member. It was later named the 22nd and 25th best song of the 2000s decade by Rolling Stone and Robert Christgau, respectively. The song earned Amerie a nomination for Best Female R&B Vocal Performance at the 2006 Grammy Awards, and was also nominated for Choice R&B/Hip-Hop Track at the 2005 Teen Choice Awards. A remix of "1 Thing" features rapper Eve.
#Amerie 1 thing listen download
Its digital download and ringtone releases were each certified gold by the Recording Industry Association of America (RIAA). "1 Thing" received acclaim from critics, and peaked at number eight on the Billboard Hot 100 and number four in the United Kingdom, becoming Amerie's first top-10 single and her biggest singles to date, also peaking at number one on the US R&B singles chart. The song was released as the album's lead single in 2005, and is the only single from the soundtrack to the 2005 romantic comedy film Hitch. Its lyrics focus on an unidentified "thing" that fuels a romantic attraction. Memories just keep ringing bells Oh-oh-oh-oh-oh Hear voices I dont want to understand My car keys are jingling in my hand My high heels are clicking towards your door Oh-oh-oh-oh-oh Its this one thing that got me trippin Its this one thing that got me trippin (you did) This one thing, your soul made me feel it Its this one thing you did. Written by Amerie and Rich Harrison and produced by the latter, the song is influenced by go-go rhythms and features a prominent sample of the Meters' 1970 funk recording of "Oh, Calcutta!", written by Stanley Walden. Album Description"1 Thing" is a song by American singer Amerie from her second studio album, Touch (2005). See More Your browser does not support the audio element. Most importantly, regardless of who's responsible, Touch has a better batch of songs than All I Have, and it seems to have ears both young and mature in mind at the same time the mostly strong production work (Lil Jon, the Buckinghams, Bink, Red Spyda, and Dre & Vidal also take part), laced with the occasional memory-triggering sample (Roy Ayers, Jean Carn, Earth, Wind & Fire), won't hurt anyone either. To further emphasize the album's reliance on Amerie's talent, there are no guest MCs - a rarity for a mainstream R&B album these days - unless you count the Eve verse on a bonus remix. In fact, she had a hand in the penning of all but one track on Touch. Key point for sticklers with strict authenticity principles: in addition to knocking the beat out of the park with an ecstatic vocal turn, Amerie gets a songwriting credit. It's just as exciting, flailing all over the place with unbound joy, and it's equally deserving of summertime omnipresence. Genius lead single "1 Thing," like "Crazy in Love," swings on a kinetic drum loop, this time courtesy of the Meters.
Harrison's work on Beyoncé's "Crazy in Love," Destiny's Child's "Soldier," and Jennifer Lopez's "Get Right" made him one of the most talked-about producers around, so the time became right for Amerie to hit back. Between late 2002 and early 2005, Amerie's presence faded, while Harrison's became impossible to ignore, nearly mirroring Dallas Austin's rise with Boyz II Men, Another Bad Creation, and TLC.
But dont act obtuse like yall dont remember the lengths Matthew Knowles went to to make Beyoncé 1. Amerie couldve been on top but she wasnt cut out for how cruel the industry is. Blige credits but no big hits at that point. Her father had the pull to sabotage her through the stations/record execs. The majority of the work was handled by Rich Harrison, a young producer/songwriter with some Mary J. These were easy (and lazy) things to say, especially since the songwriting credits for Amerie's first album, All I Have, showed that the singer only had a hand in writing the one-minute outro. She was an inauthentic fluke, apparently, and if she were to become successful, it would have more to do with low standards - and the inability to appreciate real female artists like Norah Jones and Alicia Keys. When the sweet and breezy "Why Don't We Fall in Love" came out in 2002, a lot of critics were quick to discard Amerie as another attractive puppet with a capable voice who relied on producers and slick imagery. Purchase and download this album in a wide variety of formats depending on your needs.
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